Tuesday, October 21, 2014

Down But Not Out: Led Zepplin Loses First Round in Plagarism Lawsuit

 
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Led Zeppelin is stuck in the U.S. forced to confront claims the band stole its biggest hit "Stairway to Heaven" from Randy Craig Wolfe, founding member of the band Spirit.

Wolfe's heirs sued Led Zeppelin, Jimmy Page, Robert Plant and their music companies in June, asserting that the story Page has told over the years about holing himself up in a remote cottage in Wales in 1970 and creating the iconic song is false. The plaintiff alleges that the music really came from Spirit, which once toured with Led Zeppelin in the late 1960s.

In reaction to the lawsuit, the defendants challenged jurisdiction.






"The individual defendants are British citizens residing in England, own no property in Pennsylvania and have no contacts with Pennsylvania, let alone ties sufficient to render them essentially at home here," stated a memorandum to dismiss.

In response, the plaintiff amended the lawsuit with some emphasis on why a Pennsylvania judge should oversee the case: "Defendants are subject to specific jurisdiction in this district because they make millions of dollars from the Eastern District of Pennsylvania by directly targeting this district for the exploitation of 'Stairway to Heaven' through CD sales, digital downloading, radio and television play, advertising, marketing, concert performances, other performances, licensing, and otherwise targeting resident individuals and businesses to profit off the exploitation of 'Stairway to Heaven.'”

U.S. District Court Judge Juan Sánchez has now denied the motion to dismiss or transfer without prejudice, meaning that the Zeppelin parties can still try again.

The judge didn't offer any reasoning in his written order, but those looking for the standards by which judges determine jurisdiction can read about another judge's recent decision to throw out a trademark lawsuit filed by John Wayne's heirs against Duke University.
 
This article originally appeared in THR.com.
source: billboard.com


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Irish plays and actor have big day at UK Theatre Awards

LONDON


Reuters) - It was a great day for the Irish at the UK Theatre Awards on Sunday as a new production of Brian Friel's "Translations" and Belfast-born "Game of Thrones" British-Irish actor Patrick O'Kane took two of the top awards.
The awards recognize the achievements of regional theater, while the annual Olivier Awards focus on the London stage.

O'Kane won the gong for best performance in a play for his portrayal of Jimmy in a production by Ireland's Abbey Theatre of Belfast-born playwright Owen McCafferty's "Quietly".

The production, which has toured Britain, is about two men who meet up in a pub decades later to deal with a bombing of that same pub during Northern Ireland's sectarian "troubles".

Friel's 1980 play, often deemed his finest work and which deals among other things with the importance of place names and the ambiguities of translation, won the award for best touring production in a staging directed by James Grieve for English Touring Theatre and co-produced with Sheffield Theatres and Rose Theatre Kingston.

Grieve said of the play that "working with writing of that quality makes your job a joy". He added that the award to productions of works by Friel and McCafferty underscored that "Irish playwrights throughout history have been extraordinary".

The award for best new play went to "An August Bank Holiday Lark" by Deborah McAndrew in a Northern Broadsides production, the award for best supporting performance went to Jenna Augen for "Bad Jews" produced by Theatre Royal Bath, the best musical was "Brass" directed by Sara
Kestelman in a National Youth Music Theatre production at City Varieties Music Hall, Leeds, and the gong for best performance in a musical went to Jamie Parker in "Guys and Dolls" at the Chichester Festival Theatre.

The award for best director was shared by Duncan Macmillan and Robert Icke for "1984", a Headlong, Nottingham Playhouse and Almeida Theatre production, while the best design award went to Jon Bausor for "Mametz" in a National Theatre Wales production.

The award for best show for children and young people went to "Dragon", a National Theatre of Scotland production in cooperation with Vox Motus and the Tianjin People's Art Theatre in China.

Co-director Jamie Harrison said that working with the Chinese had brought out a different way of looking at dragons than the usual Western dragon-slayer trope.

In the almost entirely wordless play, a young boy learns about the world in part from dragons and the portrayal of the mythical beasts "shows more depth", Harrison said.

Julian Bird, chief executive of UK Theatre and the Society of London Theatre, said in a statement:
"The geographical diversity of this year's winners reflects the considerable breadth of talent on offer across the whole of the UK."

The Clothworkers' Company, established by royal charter in 1528, is endowing a 150,000-pound ($241,400) grant for each of the next five years, with the first award going to Theatre Royal Plymouth to bring productions to London.

The Gielgud Award for Excellence in the Dramatic Arts was given posthumously to the English stage and screen actor Sir Donald Sinden, who died last month. Paul Kerryson, director of the Leicester Threatre Trust and Leicester's Curve theater won The Stage Award for Outstanding Contribution to British Theatre.

The theatregoers' award for "most welcoming theater" went to Wales Millenium Centre.



(Reporting by Michael Roddy; Editing by Andrew Roche)

At 22, success has taken time for Britain's 'Charli' Aitchison

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Charli XCX arrives at the 2014 MTV Music Video Awards in Inglewood, California August 24, 2014.
Credit: Reuters/Kevork Djansezian

LONDON Mon Oct 20, 2014 7:51am EDT

(Reuters) - Not everyone who is on top of the fast-moving pop music scene has heard of Charlotte Aitchison, even by her stage name Charli XCX, but lots of people have heard her or her songs.

At 22, the English singer is also a seasoned songwriter, having written and featured on international smash hits "I Love It" with Swedish pop duo Icona Pop, and "Fancy" with female rapper Iggy Azalea.

"I Love It" hit No. 1 in Britain, and went two times platinum in the United States, while "Fancy" held No. 1 on the U.S. Billboard Hot 100 for seven weeks, to go triple platinum.

Asked if she could live on the proceeds of those two tracks alone, Aitchison told Reuters, "I could be happy... It all takes like a really long time for everything to come through but yeah, I mean I'm definitely paying my bills. Thanks, Icona Pop!"

Despite appearances, though, success has not come overnight.

"I remember pretty much every year for four years of my life being like, the one to watch, and obviously it's a great compliment but I was kind of over it by year two," she said during a rooftop photo shoot in the heart of east London.

"I was like, 'Aren't people watching now?'"

Having released singles since 2008 she said she had almost given up her pop-star dreams to focus on song writing, finding it "exhausting trying to explain my vision to people when they're not ready to hear it".

But "suddenly pop music changed and I became part of that structure, weirdly enough.

"I think pop music has just become more emotional and audiences have become more intelligent. Younger audiences have become a lot more open to more variation in the music they listen to."

Asked if she could sense that "Fancy" was going to become the sensation that it was, Aitchison said,

"I thought that song was super cool.

"Iggy and I were really feeling that song and I think a lot of other people actually weren't," Aitchison said.

"And when she told me her idea for the video which really was all her ... I was like, 'Wow, this is cool' and I feel the video definitely really elevated that song to a stratospheric level."

The hits were followed by Aitchison's first major solo success, her single "Boom Clap", a top 10 hit both sides of the Atlantic, selling more than 1.5 million copies worldwide.

She is now releasing her new single "Break The Rules", out this week, ahead of her new album,

"Sucker", out next year.

"It's a pop album but it has a punk element, a punk edge to it and it's definitely ... the most raw and wild thing I've done, and definitely the thing I'm most proud of," she said.

"It feels like I've really found my voice making this album which is so nice."

Aitchison is on a tour of the United States and will be supporting Katy Perry on her 2015 European Tour.


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